伊丽莎白·罗克博士.D.

• 英国波胆网站技术研究员，2015-2017
• 克雷斯基金会/独立学院理事会, 入选竞争性全薪为期一周的讲习班, “Artistic Workshop Practices in Late Medieval and Renaissance Italy,伯明翰艺术博物馆, Birmingham, Alabama, July 2010
• Central Research Fund Grant, Chatham University, April 2008
• Kenan/NEH Faculty Development Grant, Converse College, 1991
• 卢斯基金会资助，1991年6月
• Smithsonian Pre-Doctoral Fellowship, Smithsonian American Art Museum, 1988-89
• Andrew W. Mellon Pre-Doctoral Fellowship, University of Pittsburgh,1987-88
• 1981年，阿勒格尼学院Phi Beta Kappa奖
• Pi Gamma Mu，阿勒格尼学院，1981年
• 1977- 1980年，阿勒格尼学院奥尔登学者

组织

• Secretary, Omicron of Pennsylvania Chapter of the Phi Beta Kappa Society
• 墓碑研究协会
• 中大西洋流行/美国文化协会
• 流行文化协会/美国文化协会
• 学院艺术协会

成就

• Curator of Chatham University Collections: Olkes Collection of African Art, 大学永久收藏, Arthur G. Smith Collection of Historic Pittsburgh Images, 2001-present
• 顾问，格伦伍德公墓，休斯顿，2007年
• 波胆网站画廊协调员，2006-2010
• 会议椅, 墓地和墓碑, 流行文化协会/美国文化协会 annual meetings, 2016, 2015, 2013, 2012, 2010, 2009
• 会议椅, 美国文化中的死亡, 中大西洋流行/美国文化协会, 2014, 2013, 2012, 2008
• Consultant and appeared in "A Cemetery Special" produced by Rich Sebak for the Public Broadcasting System, 10月25日首播, 2005
• 讲座主持人，匹兹堡教师学院，2009年1月. 2000-Jul. 2005
• 2003-2004年，艺术与设计部主任
• Area Chair, 美国艺术与建筑, 中大西洋流行/美国文化协会 Annual Meetings, 2004
• Session Co-Chair, Art and Work, Art as Work, American Studies Annual Meeting, 2002
• Assistant Curator of Education, Carnegie Museum of Art, 1992-1996
• 卡内基艺术博物馆研究专家，1984-1987

选定的出版物

• “Keeping the Faith: The Catholic Context and Content of Justus Engelhardt Kühn’s Portrait of Eleanor Darnall, c.1710年，《足球波胆平台》，第109期. 24 (Winter 2014)， 390-427.
• "Painting," Bloomsbury Encyclopedia of the American Enlightenment, vol. II, Mark G. 艾德·斯宾塞.，美国布鲁姆斯伯里出版社，纽约，2015年2月.
• “约翰·万德林，”马克·G. 艾德·斯宾塞., Bloomsbury Encyclopedia of the American Enlightenment, vol. II, 1067-68，美国布鲁姆斯伯里出版社，纽约，2015年2月.
• “Gustave Hesselius,” and “John Hesselius,” Ina Deicke, ed.，《足球波胆平台》(Allgemeines k nstlerlexkon). De Gryter, Leipzig, 2011年12月.
• “Andrew W. Mellon” (1300 words); “Pittsburgh” (900 words), for Joan Marter, ed., Grove Encyclopedia of American Art, Oxford University Press, 2011. Mellon, v. 3, 279-81; Pittsburgh, v. 4, 128-30.
• "Embodying Immortality: Angels in America's Rural Garden Cemeteries, 1850-1900," Markers XVI: Journal of the Association of Gravestone Studies, 2007, 56-111
• “为大众作画? 重读威廉·西德尼·芒特的《足球波胆平台》,《波胆网站》, 27, 2004, 155-84
• "Bathing, Purity, 和身体:背景下的成人礼项目,《波胆网站》, Fall 2004, 4-8
• 殖民时期的美国艺术家，207页. 格林伍德出版社，2003年12月
• 《描绘匹兹堡:凯瑟琳·R. Miller Collection at Chatham College," Western Pennsylvania History, Winter 2001, 14-19
• "John Frankenstein's Portrait of Godfrey Frankenstein and the Aesthetics of Friedrich Schiller,美国艺术, March 2001, 74-83
• 库尔贝的《波胆网站》和《波胆网站》'," Gazette des Beaux-Arts, December, 1988, 277-80

选定的演讲

• “From Milan to Pittsburgh: Allegheny Cemetery’s Porter Angel and the Mobility of Italian Cemetery Sculpture,” Migrating Objects: Material Culture and Italian Identities, Calandra意裔美国人研究所年会, 皇后学院(CUNY), 纽约市, 4月29 - 30日, 2016.
• “Transmigration/Transformation: Enrico Butti’s Angel of Evocation in Pittsburgh and Milan,” Rocky Mountain-Great Plains American Academy of Religion/Society of Biblical Literature Regional Meeting, 伊利夫神学院, 丹佛大学, Denver, April 1-2, 2016.
• “Covert Catholicism in a Colonial Portrait: Justus Engelhardt Kühn’s Eleanor Darnall, c.1710,” Francis Scott Key Lecture Series, Maryland Historical Society Museum, October 1, 2015.
• “Angels and Effigies: Material and Spiritual Exchange in Italy’s Monumental Cemeteries,” 流行文化协会/美国文化协会 Annual Meeting, 新奥尔良, 3月31日至4月5日, 2015
• “Swedenborg, Sculpture, 和美国公墓天使,” 流行文化协会/美国文化协会 Annual Meeting, Chicago, 4月15日, 2014.
• 《足球波胆平台》, 弗里克艺术和历史中心, Pittsburgh, Oct. 1, 2010
• “Keeping the Faith: The Catholic Context and Content of Justus Engelhardt Kühn’s Portraits of Eleanor and Henry Darnall III, c.1710,” The Early Chesapeake: Reflecting and Projecting Conference, sponsored by Omohundro Institute at the College of William and Mary, 所罗门岛和圣. 马里兰州玛丽市，2009年11月19日至21日.
• "In the Company of Angels: New Research on Rural Cemetery Sculpture," American Culture Association/Popular Culture Association Annual Meeting, Boston, April 2007
• “修复和历史墓地”,实地会议, 全国历史保护信托会议, Pittsburgh, 2006年的10月
• "Embodying Immortality: The Tasks and Types of Angel Monuments in the American 'Rural" Cemetery, 1850-1900,死亡的构造, Mourning, 与记忆会议, 报告, NJ, October, 2006
• "Assessing the Ordinary Angel: A Typology of Angel Monuments in America's 'Rural' Cemeteries, 1850-1900," 墓碑研究协会 29th Annual Conference, Doylestown, PA, Jun. 2006
• “Innocence and Italian Sculpture: Giovanni Benzoni’s Monument for Mrs. John Pendleton Kennedy in Baltimore’s Green Mount Cemetery,” 流行文化协会/美国文化协会 Annual Meeting, Atlanta, March 2006.
• “An American(ist’s) Dream: The Secrets and Significance of Early American Art, “ Art at Noon for the exhibition American Beauty: Painting and Sculpture from the Detroit Institute of Arts, 1770-1920, 弗里克艺术博物馆, Pittsburgh, May 5, 2005.
• "Defending the Faith: The Catholic Context and Content of Justus Englehardt Kuhn's Portraits of Eleanor and Henry Darnall III, c. 1710, American Culture Association/Popular Culture Association Annual Meeting, 新奥尔良, 2003
• "'Crafting' the Artist's Identity: Tompkins Matteson's Erastus Dow Palmer in His Studio, 1857,美国研究协会年会, Houston, 2002
• “为大众作画? William Sidney Mount's The Painter's Triumph and Johannes Oertel's The Country Connoisseurs and Popular Taste," Society for the Historians of the Early American Republic Annual Meeting, 哈珀渡口, WV, 1998
• "’Terrible Like Agamemnon's Son’: Schiller's Aesthetics in John Frankenstein's Portrait of Godfrey Frankenstein and American Art: Its Awful Altitude,” 流行文化协会/美国文化协会 Annual Meeting, Orlando, April 1998.
• "Images of Artists and Their Audience: Popular Taste and Professional Identity, 1830-1860,美国研究协会年会, Baltimore, 1991
• 库尔贝的《波胆网站》和《波胆网站》,“中大西洋艺术史研讨会”, 美国国家美术馆, Washington, DC, 1986